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Part of the tasks that I carry out in my current job as a planning coordinator is collating quarterly accomplishment reports from different offices. And by accomplishments, those would include various events being held in the workplace, or those activities that are either organized by or participated by the students and our personnel.  

About a week ago, I decided to give this process of gathering accomplishments a different approach by deciding to drop by one of the planned events for May. After being invited by one of the organizers, I opted to swing by the the opening of the exhibit entitled Kasarian-Kasarinlan which is currently on display at Giant Dwarf Art Space which is just a mere 15-minute drive from my residence.   


Kasarian-Kasarinlan is an event spearheaded by the Gender and Development Unit of the University of Rizal System Angono campus in collaboration with the students from the Bachelor of Fine Arts Major in Visual Communication of the College of Arts and Letters. I personally knew one of the proponents of the event, Prof. Rodler Villalon as he is a friend of my younger brother when they were both taking up Fine Arts at Far Eastern University.  

While visiting museums, galleries, and art exhibits out of whim is not new to me, to be present to this event seemed to be a breathe of fresh air of some sorts. Not only because it was an accepted invitation from a colleague (and common friend), but because this type of affair allowed me to observe not only an activity involving a unit that I often deal with, but also gave me with a chance to be acquainted with some socially-relevant issues. In this case, it's in relation to matters, and concerns surrounding the members of  the LGBTQIA community, and how they ardently long for gender independence, and probably, acceptance; because whether we admit it or not, we still live in a society where individuals belonging to this group are still scrutinized by many with raised eyebrows.   


While some of my colleagues advised me that attending events for the sake of the reports isn't really important, I suppose giving in to my lakwatsera whims and combining it with a bit of work every now and then isn't a bad idea either. When my schedule and free time permit, I know I must get out into the world every now and then. It was also my first time at Giant Dwarf during the exhibit's opening day, and by being present in one of my colleagues' event, I not only ended up discovering a new place, but it also provided me with the opportunity to learn about how people who belonged to this unique community rally their advocacies, fight for, and communicate their beliefs and choices through a medium in which they excel -- visual arts.

You can still visit Kasarian-Kasarinlan art exhibit until June 4, 2023 at Giant Dwarf Art Space located at 015 Manila East Road Hi-way corner Dona Justa Street, Brgy. San Roque, Angono, Rizal. The gallery is open Tuesday to Friday, from 10 am to 5 pm. 



I was planning on going out to take advantage of my long weekend break, but the insanely hot weather is making me sluggish, so I decided to stay home and catch up on the items I wrote in my drafts folder instead. 

Last year for my birthday, I bought myself the book Getting to You. However, I only had time to read it in the last few weeks of January. This is the third book I've read by author Jonaxx and the second book in the Azucarera de Altagracia trilogy.

The book focuses on Sancha Alcazar, the daughter of one of the wealthiest azucarera owners in the fictional town of Altagracia, and Alonzo Salvaterra, a guy who, despite coming from a well-to-do family, works as an employee for the Alcazars and has always had a crush on Sancha. When a simple gesture turned into a scandal, everyone assumed it was all Alonzo's fault, and he loses everything he has worked for. Years later, their paths would cross again, but the question is if time would be able to cure the wounds of the past, and whether Sancha's confession and remorse will be enough to reconcile and compensate for what Alonzo lost. 

Because the pacing was a little slow at first, it took me months to finish this book. On the other hand, I'm sure the author had that in mind on purpose, given that the novel begins with characters in high school and another about to enter college. The novel's setting gave me insight into the lives of azucarera employees and what it was like to be part of a wealthy family in the Visayas (since the book's setting references many places, activities, and routines related to the province of Negros). 

But I guess it was still a good decision that I read the book all the way through. Aside from figuring out how the story progressed from one chapter to the next, I realized that while shy, torpe characters in fiction may appear uninteresting and boring at first, they can actually make a reader's heart flutter, similar to how guys do it in real life. And, in this day and age of "instant everything" (including romantic relationships), Getting to You approached the subject of slow burn romance in such a way that it truly showed how the characters developed. And perhaps it is one of the positive aspects about it. Slow burn romance in fiction increases reality by providing readers a perspective of how things happen organically, as near to how things might happen in real life as possible.

Despite the fact that this novel has 40 chapters, I want to mark it as a reading achievement completed on my reading list. The story's romance element was just right. And, despite being labeled as a book for readers aged 18 and up, there isn't much "adult content" in this book compared to Jonaxx's other books that I've read previously. And, to be honest, I was okay not reading any of it with Getting to You since, in my opinion, adult stuff isn't necessarily necessary to make romance fiction truly romantic. The love element may even appear in the form of an epilogue written from a male perspective – even if it comes from the most timid (read: torpe) guy on the planet.
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MABUHAY!

I'm a 30-something Millennial Tita from the Art Capital of the Philippines and I express what's on my mind (may it be a good experience or otherwise) through writing. Feel free to explore the fragments of my mind which you can find in this blog.
Oh and forget the formalities. You can call me Glaiza!

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